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Clever, and an interesting thing to compare side-by-side, but a pointless exercise in history-rewriting, ultimately.
: The notoriously difficult-to-compile Floyd's first compilation, Relics is a decent trawl of early single releases and random album tracks, released at a tim when those tracks were barely relics at all.
It's not just the flying pig I love - it's that gorgeously bleak Battersea Power Station. : Not Hipgnosis but still noteworthy: this is Pink Floyd's double-album opus The Wall. This is the final Pink Floyd studio album, and it's rather easy to overlook. Still, it's nice, if a bit overwrought: a human iris as the centre of the solar system, with fish and other stuff around it. The cover is nicely grotesque though, the 'life-masks' of the four members of Pink Floyd, worn by a 'fake Pink Floyd' on-stage.
The vinyl version I had had the Gerald Scarfe handwriting on a label, and the cover was nothing more than that wall: white bricks and grey mortar. We're so used to it that it doesn't mean much anymore, but it's Pink Floyd's second most immediately recognisable cover. : It might be a Roger Waters solo album released under the name Pink Floyd, but personally I'm much fonder of The Final Cut than many people are. : A tragically random compilation, with a 'retro' cover that might be visually arresting but frankly has nothing to do with Pink Floyd at all. Not the most attractive band in the world, were they?
Perhaps the first rock group to cultivate a very individualistic visual element to their music, Pink Floyd were shrewd enough to understand the importance of iconic album art - the importance, that is, of an album as an objet d'art, with an intrinsic value as an object regardless of the music it contains.
And to that end, every Pink Flod cover - even compilations and live releases - is worth a look.
Okay, I'll admit it: I'm doing Pink Floyd now because I think it'll bring lots of viewers here.